Info
Bio:
Michael Pfleghaar is an artist residing and working in Grand Rapids, Michigan. He earned his MFA in visual arts from Lesley University College of Art and Design in Cambridge, Massachusetts, in 2011. Pfleghaar often portrays botanicals and still lifes, infusing them with abstract elements and flattened space to generate new perspectives. His compositions reflect influences from mid-century modern design, evident in the clean lines, balance, and use of organic materials.
In 2023, Pfleghaar was chosen as one of four artists to have their work permanently installed as terrazzo floor designs at the Gerald R Ford International Airport. He also received The Best of Show in the 2021 Festival of the Arts and the West Michigan Area Show at the Kalamazoo Institute of Arts in Kalamazoo in 2020.
Pfleghaar’s artwork has been featured in Architectural Digest, Arcadia Magazine, Studio Visit, Metropolitan Home, Solace, and American Craft. Organizations such as the Gilmore Piano Festival 2024, Apple, HBO, CBS, ForeSee, Hayworth, and Urban Institute for Contemporary Arts have utilized his artwork as illustrations.
In 2016, Pfleghaar attended the Spread Art Artists Residency in Detroit, MI, and in 2013, he was honored with the Joan Mitchell Foundation’s Ox-Bow School and Artists Residency in Saugatuck, MI. His work was part of the 2012 LGBTQ exhibition ReMix: Revisiting Appropriation, curated by Jonathan Katz in San Francisco, CA. Pfleghaar’s original artworks are included in permanent collections, such as the Grand Rapids Art Museum, Frederik Meijer Gardens and Sculpture Park, Steelcase Inc., Herman Miller, the State of Michigan, and Grand Valley State University.
Statement:
In my artistic practice, I’ve always centered around documenting my life. Early on, I realized how the things I surround myself with are a direct reflection of who I am. These inanimate objects, whether contemporary or mid-century modern, and the houseplants I collect, serve as the subjects and an archeological record in my work.
The work finds a delicate balance between realism and abstraction by flattening space, utilizing mixed media, and masking. I embrace imperfection, simplification, hard edges, tension, and materiality while referencing the flatness of the objects. The Japanese concept of Ma has been a significant inspiration for me, where negative space is as crucial as positive space. I strive to capture interactions between objects and the edges of the picture plane, allowing for a conversation to unfold.
It’s a personal journey for me, using art to explore the relationships between the things I’ve chosen to bring into my life.
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